Back when I first started producing planters in quantity, I had developed a series of texture patterns. Each pattern used my handmade stamps and/or found objects to create a design.
There was tire tracks that used a small wheel I had found. And sunflower that used my stamps and rollers. And … so many that I eventually built up a list of twenty or so patterns I rotated through. I made many planters in this style until I switched firing temperatures a couple of years ago. Once I switched, my textured planters became fewer and glaze designs like subway lines and seedlings stole the spotlight.
My original designs all featured a chrome oxide wash to add depth to the bare clay texture and then glaze in only a few select parts of the pattern. The oxide wash doesn’t have the same look and feel at the temperature I fire at now so I’ve largely either changed to all over glaze for texture pieces or simply stopped creating them.
Until this most recent round in the studio when I was playing around with a large nut/bolt I found sometime ago.
As I was stamping the clay, I realized that I might not need a glaze design in the negative space. That maybe I just needed to either leave the texture or the background free of glaze. Just like I used to do (although without the oxide wash) … wide sections of bare clay making the texture pattern pop.
I think it worked out, but I’ll let you be the judge.
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